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Goethe's Colour Wheel 1810
Dickinson Fine Art Conservation & Restoration offers museum quality art restoration, conservation and consultation services that adhere to a strict code of ethics as outlined by the American Institute for Conservation of Historic and Artistic Works—whether the work is for a single family heirloom, or a large museum collection.
Debra Dickinson treats traditional easel paintings, murals and polychrome, or painted objects, and maintains long-term relationships with museums, historical societies, galleries, collectors, art disaster response companies, and private clients who rely on Debra Dickinson to preserve the aesthetic and historical integrity of a single work or collection.
Dickinson Fine Art Conservation & Restoration also provides a curated collection of museum quality reproduction frames in natural hardwood and gold leaf representing American, English, European and China Trade Designs.
• Dickinson Fine Art Conservation responds immediately to art related disasters. Quick response is essential to recover art and prevent further damage, and expense, after a disaster has occurred.
• To properly restore damaged art, and to maintain its historic and monetary value, it is crucial treatment be executed by a trained professional in the field of art conservation to avoid further damage.
• Debra Dickinson has extensive experience working with homeowners, institutions, insurance companies, adjusters and disaster related contractors to rescue and restore damaged art. She provides timely on-site collection assessment of claim related damages and will submit detailed documentation, including pre–and post disaster condition reports, as well as a plan of treatment for your insurance purposes.
• Please call Debra for immediate disaster response to properly recover and restore your art collection.
Incompatible materials used by the artist prevented the decades old varnish from drying completely. Not only did the varnish puddle and drip down the paint surface, it also acted like a glue grabbing pieces of the cardboard that rested against it during storage.
Varnish removal was extremely complicated and tedious in order to protect the original paint layer. Fortunately the unsuitable varnish did not perforate or alter the original paint layer. The painting is now properly preserved with a conservation grade varnish that will last many decades.
Incompatible materials used by the artist prevented the decades old varnish from drying completely. Not only did the varnish puddle and drip down the paint surface, it also acted like a glue grabbing pieces of the cardboard that rested against it during storage.
Varnish removal was extremely complicated and tedious in order to protect the original paint layer. Fortunately the unsuitable varnish did not perforate or alter the original paint layer. The painting is now properly preserved with a conservation grade varnish that will last many decades.